Bride - Wedding - Groom - Vows
Speech - Checklist - Ceremonies - Tradition
Rags To Riches Bride — Myrna Mackenzie
When her cheating fiancé steals her inheritance, ex-heiress Genevieve Patchett has to get a job — fast! She secures an audience with Chicago’s most belligerent boss, Lucas McDowell, but his disarmingly attractive presence leaves her tongue-tied!
Lucas is confident that Genevieve’s passion and talent are what he needs to get his women’s shelter off the ground. And it’s personally important to him that it’s a success. Genevieve could be the perfect colleague as long as he can turn a blind eye to her beautiful face, her shimmering red hair and absorbing green eyes…
Rescued In A Wedding Dress — Cara Colter
Charity worker Molly Michaels can't resist trying on a donated wedding dress. It's her dream to be a bride draped in satin and silk — but ‘not’ for the zipper to get stuck moments before meeting her new boss!
Self-made entrepreneur Houston Whitford can't ignore a damsel in distress or a wedding dress! As long as she knows he's here for business, to make dollars and dimes — and "not" for romance...
Back To Mr & Mrs — Shirley Jump
Cade and Melanie were the high school prom King and Queen — the golden couple! Twenty years on, the reunion is looming and Melanie must let the world know that the dream is no longer true. Somewhere along their journey Cade lost the one person who lit up his world. Now he’s determined to show Melanie that he can be the man she’s always wanted...
About the Author
Cara Colter was born in Calgary, Alberta, but now lives on a small acreage in British Columbia. She shares her life with eight horses, a cat and her hero, Rob. They have three grown children and a grandchild.
A journalism graduate, Cara has been making her living with words for her entire adult life. Before finding her home at Silhouette, she wrote educational materials, newspaper stories, magazine articles and even sermons!
"I am living proof that dreams come true," Cara says. "I am an ordinary person leading an extraordinary life."
Myrna Mackenzie grew up not having a clue what she wanted to be (she hadn't been born a princess, the one job she thought she might like, because of the steady flow of pretty dresses and crowns), but she knew that she loved stories and happy endings, so falling into life as a romance writer was pretty much inevitable.
An award-winning author with more than 35 novels written, Myrna was born in a small town in Dunklin County, Missouri, grew up just outside Chicago and now divides her time between two lakes in Chicago and Wisconsin, both very different and both very beautiful. She adores the Internet (which still seems magical after all these years), loves coffee, hiking, "attempting" gardening (without much success), cooking and knitting.
Shirley Jump didn’t have the willpower to diet nor the talent to master undereye concealer, so she bowed out of a career in television and opted instead for a career where she could be paid to eat at her desk — writing.
She started out in journalism, selling her first article at the age of eleven and dreaming of being the next Jane Pauley. She hosted two of her own shows on the local cable channel and was the co-host of a late-night comedy show for two years. After writing 3000 articles and two nonfiction books, Shirley grew too dependent on her robe and fuzzy slippers, though, and decided a career as a freelance writer suited her better.Then she got married. And had two kids.
Humor became the only thing that got her through the mashed potato fling-fests and toilet paper decorating sprees. At first, seeking revenge on her children for their grocery store tantrums, she sold embarrassing essays about them to anthologies such as Chicken Soup for the Working Woman’s Soul and Chocolate for Women II. However, it wasn’t enough to feed her growing addiction to writing funny.
So, she turned to the world of romance novels where messes are (usually) cleaned up before The End and no one is calling anyone a doodoo-head. In the worlds Shirley gets to create and control, the children listen to their parents, the husbands always remembers holidays and the housework is magically done by elves.
She sold her first book to the Silhouette Romance line in 2001. That novel, The Virgin’s Proposal, won the Booksellers’ Best Award for Best Traditional Romance of 2003.
Shirley now writes stories for Silhouette and Kensington about love, family and food — the three most important things in her life (if she’s being honest, though, there are many days when the order is reversed), using that English degree everyone said would be so useless.
Though she’s thrilled to see her books in stores around the world, Shirley mostly writes because it gives her an excuse to avoid cleaning the toilets and helps feed her shoe habit.
Married for love Cade and Melanie were their high schools golden couple! Twenty years on, the reunion's looming, and Melanie must let the world know that the dream is no longer true...Until Cade turns up determined to win back her heart. Popular TV presenter Belle is married to gorgeous billionaire Ivo, but beneath the veneer of her perfect life is the truth of their marriage of convenience. Now, Belle is breaking all the rules. She wants a baby...with Ivo. Carson Banick's family fortune is in his hands and he must marry a suitable woman - except his attraction to Beth, his feisty PA, is getting in the way! How can Carson choose between saving his family and claiming Beth's heart? The path to true love never ran smooth...
The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liege - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.
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